Music Bachfest Leipzig: Exploring Bach's cantatas and other cycles. Main article: Bach's second cantata cycle. The Cantata Cycles March 25. His next cycle of church cantatas, the Picander cycle, did not start before St. John's Day 24 June 1728. ‘Third Annual Cantata Cycle ... of Bach’s cantata performances in Leipzig between 1725 and 1727, and one of Bach’s hitherto unidentified librettists. Cantatas for Cantate (Fourth Sunday after Easter): • BWV 166 – Wo gehest du hin? Over the following six years Bach was to take on the huge task of writing at least four complete cycles of cantatas for the entire liturgical year. The words for many cantatas combine Bible quotes, contemporary poetry and chorale, but he also composed a cycle of chorale cantatas based exclusively on one chorale. In Bach’s One-cycle Lectionary, Easter Sunday is followed by six Sundays AFTER Easter; in the Three-cycle Lectionary, Easter Sunday is the 1st Sunday OF Easter and is part of the seven Sundays OF Easter. The work was chosen to open the Bach-Gesellschaft-Ausgabe, the first publication of Bach's complete works, begun a century after his death. Trinity I, 30 May 1723: Die Elenden sollen essen, BWV 75 There have also been Bach cantata cycles from Helmuth Rilling on Hänssler, Gustav Leonhardt and Nicholas Harnoncourt on Teldec, Pieter-Jan Leusink on Brilliant Classics and Tom Koopman for Erato and later the Antoine Marchand label. Bach’s first annual cycle of cantatas began on May 30, 1723, the first Sunday after Trinity and his first Sunday as Thomaskantor in Leipzig. The first three (BWV 109, BWV 38, BWV98) are from the first three annual cantata cycles. The fifty-second cantata of the cycle for Jubilate (third Sunday after Easter). The sacred cantatas, according to what I read, were neglected for a long time and their revival started practically only after the second world war, when Harnoncourt and many others broke the time barrier around Bach’s cantatas. Background Bach in Leipzig. The ancient chorale this cantata is based on (as well as the motet by Samuel Scheidt we’re also singing during our December 5 workshop) The First Sunday of Advent in Leipzig. On this date in 1714 occurred the first performance of BWV 182, and in 1725 the first performance of BWV 1. I've tried out a few cycles of Bach's cantatas. Today is the first Sunday after Epiphany, and Bach has three Leipzig cantatas for you, from the first three complete cantata cycles he wrote in that city.Mein liebster Jesus ist verloren, BWV 154, premiered in Leipzig on January 9th, 1724, so immediately after the very busy Christmas weeks. There are numerous connections between Cantata 75 and 76, since they were the first two works of the first Leipzig cantata cycle, and the first two works written by Bach for his appointment in Leipzig. But Bach incorporated the melodies and the texts in many different ways – there is an entire cycle of cantatas based entirely on chorales, where the chorale is featured in every movement. Johann Ludwig Bach's . So one year later, on Trinitatis I 1724, Bach starts his second cantata cycle, the so called chorale cantata cycle because each cantata is based on a hymn from the Protestant liturgical tradition. That year ran from the first Sunday after Trinity in 1723 to Trinity Sunday of the next year:. Today is the first Sunday after Epiphany, and Bach has three Leipzig... cantatas for you, from the first three complete cantata cycles he wrote in that city.Mein liebster Jesus ist verloren, BWV 154, premiered in Leipzig on January 9th, 1724, so immediately after the very busy Christmas weeks. : 79f). In practical terms, this meant composing about sixty cantatas per year corresponding to all the Sundays and holy days of obligation. Emmanuel Music continues to perform cycles of large-scale and chamber works by Bach, Handel, Mozart, Schubert, Brahms, Debussy, Haydn, Schoenberg, Weill, Wolf, Medelssohn, and Schumann under Artistic Director Ryan Turner. He used the first and last verse of the appropriate hymn for the opening and closing movements, arranging and paraphrasing the words of the middle verses to suit setting as recitatives and arias. This Cantata was part of Bach’s 1724/1725 cycle of chorale cantatas, a stunning collection of cantatas that were considered the most important part of his cantata legacy directly after his death in 1750. ), The World of the Bach Cantatas, Norton, 1995-. The division of the violas into two parts marks this as another early work and Dürr (p 307) places it as Bach′s second cantata to have been composed at Weimar in 1714. In practical terms, this meant composing about sixty cantatas per year corresponding to all the Sundays and holy days of obligation. Tomorrow we will talk about the two cantatas Chorale Bel Canto will sing on April 2, 2106. After Trinity of 1724 he started a second annual cycle of mainly chorale cantatas. Structure of a Bach Cantata. New cantatas for occasions of the liturgical year composed in this period, except for a few in the chorale cantata format, are known as Bach's third cantata cycle. Over the following six years Bach was to take on the huge task of writing at least four complete cycles of cantatas for the entire liturgical year. Now, 20 years later, BIS is releasing the 55th and final volume of Bach Collegium Japan's traversal of the Bach cantatas. As such, the cycles do not exactly align with the liturgical year, which begins on Advent I (usually the first Sunday in December). The second cantata, Aus tiefer Not schrei ich zu dir, BWV 38, is from the chorale cantata cycle, and is based on a penitential hymn by Martin Luther with the same name. The Lutz cantata cycle isn’t generally known for star-studded casts of singers, but you can’t actually do much better for a quartet of soloists these days (or in 2014, at the time of the recording) than the lineup here. Wie schön leuchtet der Morgenstern is the last chorale cantata of Bach's second cantata cycle, possibly because the librettist who provided the paraphrases for the middle movements of these cantatas was no longer available. 5-11 (Christ humbles Himself even unto death) ; • BWV 108 – Es ist euch gut, daß ich hingehe. Clearly the use of chorales enabled Bach to reach out to his listeners in a very immediate way –a familiar phrase could automatically recall the rest of the content and add a layer of meaning to the music. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. In retrospect, this cantata takes on a special significance because it was the last of the unbroken sequence of chorale fantasia cantatas before Bach interrupted his grand scheme (see chapter 1). I like Suzuki quite a lot, mostly because of the detail and space of the sound with the technical and musical perfection of the execution. is extracted from this and is more up to date (especially the German language version). Johann Sebastian Bach's chorale cantata cycle is the year-cycle of church cantatas he started composing in Leipzig from the first Sunday after Trinity in 1724. The New Grove Bach Family (Christoph Wolff et al.) These cantatas were performed even after his death, according to Christoph Wolff probably because the well-known hymns were appealing to the audience. Unfortunately this cycle abruptly ends in March 1725, because Bach's preferred poet, Andreas Stübel, passed away in January of that year. 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